The cloud that was hovering above the cabin was colored in colors I can't remember ever seeing before. They were almost ethereal in character, and the colors lasted only as long as the exposure. However, the image was underexposed. I knew that bringing out the shadows would become a disaster area of noise and color noise. But, the exposure would work for the clouds and the water. Only one thing to do: Shoot a slightly overexposed image for the ground and the cabin and to the best of my abilities blend the two in Photoshop.
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